how to live in the echo of other places Annika Kahrs
Opening hours

Sound installation: Thu and Fri 5pm to 8pm / Sat and Sun 2pm to 8pm
Video installation: Thu - Sun from sunset to sunrise

Closed on: Fri, 8.7.

Shortened opening hours on Sat, 02.07. / Sun, 24.07. / Sun, 14.08. / Sun, 28.08.: 2pm to 6pm

Location: Schuppen 29, Baakenhöft, HafenCity Hamburg
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Running time of the sound installation: 80 minutes

Start: Thurs and Fri 17:00 / 18:30
Sat and Sun 14:00 / 15:30 / 17:00 / 18:30
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Guided tour with the artist Annika Kahrs on 09 and 10 July from 5 pm each day
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The sound and video installation how to live in the echo of other places is a new production by Annika Kahrs, staged in the last unrenovated warehouse building in the former Free Port of Hamburg, the present-day HafenCity. The Hamburg artist’s most extensive exhibition project to date is dedicated to the peculiarities of acoustic and visual recollections and explores how they relate to particular places. Throughout the summer, the two-part work alternately makes use of the interior space and the façade of Schuppen 29 [Shed 29] to make other people’s fleeting – and personal – experiences palpably accessible to visitors.

These two complementary components soak up the location’s special atmosphere. During the day, listeners have the opportunity to individually retrace an audio itinerary inside Shed 29. At sunset, a 14 m wide video projection is then activated on the front elevation of the building, making the site visible from afar throughout the night hours; it then ends at sunrise. Over a period of thirteen weeks, personal stories from different times and different places will be interwoven here as they interact with the premises of this former cocoa warehouse.

For this spatial installation, ten Hamburg musicians have composed their own works in dialogue with Annika Kahrs. To this end, each musician chatted with someone to whom they felt a particular attachment about places with personal memories. Short pieces were created on this basis, which Kahrs then translated into a spatial arrangement with the assistance of composer Louis d’Heudières. During the 80-minute ‘concert within the space’, ten loudspeaker boxes scattered around the premises will bring together, among other things, Hamburg’s urban space between the port and St. Michael’s Church, migration experiences and the sound waves of earthquakes. The themes will be as diverse as the musical styles and compositional strategies.

In cooperation with Ferdinand Försch, Douniah, Louis d’Heudières, TINTIN PATRONE, Tam Thi Pham, Jesseline Preach, Carlos Andrés Rico, Freja Sandkamm, Nika Son und Derya Yıldırım.

The video installation is based on short texts about memories of a particular place during a sunset, which musicians, friends and colleagues sent in to Kahrs for the purposes of this work. The artist, for her part, looks at the question of whether and how intense visual impressions can be bound to specific locations in our memories. Sunsets are in principle always the same and yet, ever since the age of Romanticism, Western cultures have perceived them as special moments that stand out from long forgotten everyday experiences. Indeed, they symbolise the finite-infinite duality of time: with each sunset, another day has passed in a person’s life and, at the same time, the sun reliably sets anew every day, for all eternity (almost), everywhere in the world.
The anonymised material is projected word for word onto a digitally created sunset in a non-specific location. In the course of the loop lasting approximately two-and-a-half-hours, the scenes – some of them special, others all too quotidian – are gradually assembled in the minds of the viewers.

Annika Kahrs (*1984) lives and works in Hamburg and Berlin. Her work revolves around the idea of music in different cultural spaces, viewed from all sorts of perspectives. In her sound, video and multimedia installations, she looks at how sight and sound relate to each other and how the two senses are mutually dependent. In doing so, she examines the question of how noise and music differ, at what point random noise is perceived as a structured sound framework, and how our hearing, i.e. our perception of our environment, changes as a result. Her works probe the conditions under which sound becomes charged with meaning.

The project is organized within the 8th Triennial of Photography Hamburg 2022. Produced by IMAGINE THE CITY.

The project how to live in the echo of other places is funded by:


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Date 01 JUNE 2022 - 04 SEPTEMBER 2022
Annika Kahrs